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GLASS BEADS (LAMP WORK) AND
GLASS FUSING
In 1998 I began working with "hot glass", creating
one-of-a-kind beads individually over an open flame. Unlike
stained glass which is rigid in nature, hot glass is “alive”, as the
molten glass takes
on a life of its own. Some of the more elaborate and decorative
beads can take upwards of an hour or more to create. The beads
are then annealed to prevent breakage, cleaned and arranged in jewelry
form.
(click on Image for larger view and more information)
Beads are part of every culture; they have been used to decorate
just about everything and convey status, beauty and power to their
wearer. The oldest known beads (made from natural objects) date
back 40,000 years. Many thousands of years passed before the
secrets
of making glass came to light, and the earliest known objects of
man-made
glass were beads. For thousands of years the glass trade was
surrounded
in secrecy until the first book of glass making was written in
1612.
The Art Nouveau and Arts and Crafts movement countered the mass
production
of beads in the 20th century. They, like today's glass bead
makers,
stressed individual creativity and good design in handcrafted quality
items.
The glass
used in making beads over an open flame
is typically moretti glass which is sold in rods
of varying colors and patterns. It is important that glass types
are not mixed as it causes stress within the completed bead resulting
in cracking and breakage. Many of the beads I make are “cased beads”
which are covered with a coat of clear molten glass which adds depth
and
mystery to the design, and magnifies the detail. I also work a
great
deal with dichroic glass. (What is dichroic
glass?) This is a
specialty glass,
extremely expensive (sells by the square inch, rather than the
usual square foot or pound weight), which changes its appearance
constantly
depending on the angle and the lighting used to view it. It is
made in a heated vacuum chamber and given a special metallic coating,
which shimmers like jewels.
Glass
fusing is done in a specialized
glass kiln where the glass is heated to specific temperatures that
control the amount of “melting” that occurs. Once again in this
method of forming hot glass, I like to work with clear coated dichroic
glass to make “cased beads”.
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Copyright© Karen Ichino,
1998-2007. Covers all
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